Immoral Combinations, Friday 4 September 1931
Reposting after hearing that the Rio Theatre’s liquor licence means it is no longer allowed to show movies.
Source: Vancouver Sun
Seriously, what is wrong with our province?
Immoral Combinations, Friday 4 September 1931
Reposting after hearing that the Rio Theatre’s liquor licence means it is no longer allowed to show movies.
Source: Vancouver Sun
Seriously, what is wrong with our province?
Vancouver Sun
TO JACK SCOTT, VANCOUVER SUNOctober 1, 1958 57 Perry Street New York City
Sir,
I got a hell of a kick reading the piece Time magazine did this week on The Sun. In addition to wishing you the best of luck, I’d also like to offer my services.
Since I haven’t seen a copy of the “new” Sun yet, I’ll have to make this a tentative offer. I stepped into a dung-hole the last time I took a job with a paper I didn’t know anything about (see enclosed clippings) and I’m not quite ready to go charging up another blind alley.
By the time you get this letter, I’ll have gotten hold of some of the recent issues of The Sun. Unless it looks totally worthless, I’ll let my offer stand. And don’t think that my arrogance is unintentional: it’s just that I’d rather offend you now than after I started working for you.
I didn’t make myself clear to the last man I worked for until after I took the job. It was as if the Marquis de Sade had suddenly found himself working for Billy Graham. The man despised me, of course, and I had nothing but contempt for him and everything he stood for. If you asked him, he’d tell you that I’m “not very likable, (that I) hate people, (that I) just want to be left alone, and (that I) feel too superior to mingle with the average person.” (That’s a direct quote from a memo he sent to the publisher.)
Nothing beats having good references.
Of course if you asked some of the other people I’ve worked for, you’d get a different set of answers.
If you’re interested enough to answer this letter, I’ll be glad to furnish you with a list of references — including the lad I work for now.The enclosed clippings should give you a rough idea of who I am. It’s a year old, however, and I’ve changed a bit since it was written. I’ve taken some writing courses from Columbia in my spare time, learned a hell of a lot about the newspaper business, and developed a healthy contempt for journalism as a profession.
As far as I’m concerned, it’s a damned shame that a field as potentially dynamic and vital as journalism should be overrun with dullards, bums, and hacks, hag-ridden with myopia, apathy, and complacence, and generally stuck in a bog of stagnant mediocrity. If this is what you’re trying to get The Sun away from, then I think I’d like to work for you.
Most of my experience has been in sports writing, but I can write everything from warmongering propaganda to learned book reviews.
I can work 25 hours a day if necessary, live on any reasonable salary, and don’t give a black damn for job security, office politics, or adverse public relations.
I would rather be on the dole than work for a paper I was ashamed of.
It’s a long way from here to British Columbia, but I think I’d enjoy the trip.
If you think you can use me, drop me a line.
If not, good luck anyway.
Sincerely, Hunter S. Thompson
I think I might try this approach the next time I apply for a job. What could it hurt?
“Age of Consent” by The Golden Filter // Power, Corruption, & Lies: Covered (2012)
MOJO’s excellent new collection of covers based on New Order’s synth pop classic Power, Corruption, & Lies contains a lot of songs that are great and play it easy on the cover. No surprises, just solid interpretation. Then there’s The Golden Filter’s take on fan favorite “Age of Consent” - and it’s almost completely unrecognizable. I say this not as a slam, but mostly just to give you a heads up that you could possibly listen to this synthed out electronic take on the track and never realize that you were listening to a cover of a beloved New Order song. The melody is almost entirely deconstructed, and it’s not until about three minutes in that everything starts to click - then the melody finds its way back to the original and in the last half something truly special happens when the track shifts into an ethereal dream for the dance floor. It takes a minute to get going, but the payoff is worth the effort. Pick up the entire compilation in the latest issue of MOJO, available now.
I’m really digging this Golden Filter version of Age of Consent. Some of the covers on this comp play it a bit too safe. I like that they tried to reinterpret the song rather than just play it.
(via thegoldenfilter)
☑ Saddam Hussein
☑ Osama Bin Laden
☑ Gaddafi
☑ Kim Jong Il
☐ Internet Explorer
(via robotindisguise)
The sales numbers of Pitchfork’s top 50 albums. The ones with suspiciously round numbers are estimations based on when an album dropped out of the top 200 and the fact that it has to sell less than 300 copies in a week to do so. If you have verified numbers to fix any mistakes or omissions, send…
Interesting! Across the board, sales figures are pretty dismal. Also, I forgot Tim Hecker’s Ravedeath, 1972 came out this year. That was a good album.
Vancouver Loop Pop band The Fax, have undergone a sonic alteration care of LUST producer Tyler Mounteney. Big bass and haunting vocals remind you that shorter days mean longer nights.
Download the mp3 here.
Check out the original version of the song at thefaxshow.com
I’m very excited about this remix I just finished for The Fax. I can’t wait to do some more. Who’s next?
This is amazing! Someone needs to make one of these for Jamaican DeeJays. So good.
(Source: blownspeakers)
Which is better? waking up when it’s still dark or getting off work and it’s dark already. Wait, in a month I’ll be doing both. At least I got an extra hour of sleep on Sunday. I think this lady has it right.
(Source: jennilee)
If you’ve got an Olio pass you should stop by the media club on your way to Chromatics and Glass Candy for more synth pop c/o Lust. We’ve got some new songs, new synths, more vocals and Zoe will be joining us for our entire set. Basically, we have a whole new approach. Come dance with us!
Come and visit Fleet at IDS West taking place in Vancouver September 29 - October 2. We are excited to be exhibiting in molo design’s softshelter. Fleet will be showcasing ceramics from the Pools and Shell collections as well as ceramic prototypes and experiements.
http://idswest.com/
http://molodesign.com/softshelter/